On December 29, 2025, while the rest of Japan was wrapped in the calm atmosphere of the year’s end, a tragic accident occurred on Mount Fuji, the nation’s most iconic symbol.
On December 15, 2025, a major policy shift that will likely be etched into the history of Japan’s energy policy was decided at the Liberal Democratic Party (LDP) headquarters in Nagatacho, Tokyo.
Japan now stands at a critical crossroads in its relationship with wild animals. In 2025, the number of people injured or killed by bears has reached an all-time high since statistics began, an unprecedented and abnormal situation.
On November 4, 2025, Japan’s Ministry of the Environment announced that the number of bear sightings nationwide in the first half of the fiscal year (April–September) had reached 20,792 cases (preliminary figure).
In the autumn of 2025, Japan was gripped by an unprecedented sense of fear. Human injuries caused by wild bears surged at the fastest rate since records began, shocking Japanese society.
On October 30, 2025, Japan’s energy policy reached a major turning point. Leading national dailies reported in unison that the government had decided to push through legal amendments to rein in the rampant development of large-scale solar power plants (“mega-solar”).
Mount Fuji is not merely Japan’s highest mountain. Revered since ancient times and a wellspring of artistic inspiration, it was inscribed on UNESCO’s World Cultural Heritage list in 2013 as “Fujisan, sacred place and source of artistic inspiration.” Drawn by its universal value and easy access from the Tokyo metropolitan area, visitors from Japan and abroad have flocked there in great numbers.
The accident at the Tokyo Electric Power Company’s Fukushima Daiichi Nuclear Power Station, which accompanied the Great East Japan Earthquake on March 11, 2011, was an unprecedented disaster that shocked not only Japan but the entire world.
As November 2025 began, Defense Minister Shinjiro Koizumi spoke about the need for Japan to introduce nuclear-powered submarines (hereafter, “nuclear subs”).
Veteran manga artist and illustrator Hisashi Eguchi (69), known for hit works such as Stop!! Hibari-kun!, is under intense criticism after being accused of tracing a third party’s photograph without permission for a commercial illustration.